9.19.2005

Dream Job v.1.0
It's been quite some time since I've done any significant writing for the infamous work-in-project that is my book. I'd gotten 50,000 words in and was forced to stop, not because I'd written myself into an impossible scenario, but because I hadn't done enough backstory to really know how things should be playing out. And if the author doesn't know, I can tell you that's the quickest way to contradict yourself and not only confuse the reader but likely piss them off as well.

Unfortunately, once I set down the pen and got to plotting, I was forced to confront the reality of the structure. Yes, I had a beginning, middle and a (in my opinion) helluva good end. Yes, I had scenes I definitely wanted to put in for action. I had a bunch of dialogue and revelatory exchanges, too. What I didn't have were was the, well, cyctoplasm of the piece. The goo that holds it all together and makes it a work. I had too many elements and not enough connectors to make them all make sense. In short, I suffered from an overabundant imagination for thinking up cool ideas and a stagnant imagination for how to put them all together. Or, perish the thought, whether some should be included in the first place. The story that I want to put down is ambitious, and thus the plotting and backstory that needs to be written is like a book in itself, just much shorter, told in paraphrasing, and murderously complicated (and far more than it should be, which is why this process is ongoing).

So, over the last 4 years (cringe) since I've written new pages I've set to thinking about the plot and slowly working it together and also working the term 'myth' into my status as a writer. Unfortunately, at the beginning of that time, I was laid off the job I had at the time, so I was a little distracted with the attempts to find gainful employment. And then, when I finally found another job, it kept me far busier than I had been previously, learning new technology, inventing procedures, etc. In short, I started to become a little more caring about my career, such that it was, and wanted to put a little elbow grease into it. And writing could take a back seat. Not dead, but certainly needing a good dusting every now and then.

In that format, I've been operating at a snail's pace (but a pace nonetheless), coming up with answers to plot questions once in a blue moon, tightening up the project one small pull at a time. This weekend something just popped into my head while I was on the eliptical machine (the vast majority of my plotting 'revelations' happen there when I'm zoning out), and I rushed back to work to write about a page of backstory that finally connected one of my most worrisome dots. I won't say that I'm near the end of the plotting, but it was another gigantic pull towards the final product.

One of the best things about writing is when you get those little moments and you write some little phrase or scene and you know it's cool. Those are the great days. The worst days are the ones where you sit and stare at a page and try to wring something, anything out and it just-will-not-come. Unforunately, I've found that like anything in life, you need balance to accomplish anything. You can't have the good days without the bad, and the only way to have the good is to think about what needs to be done and work at it. Just keep at it, as much as possible.

And why am I writing all this on the blog? Because of the little moments, and because there are apparently job openings right now for a position where your cool moments will be even cooler:
    IGN FilmForce can exclusively report that Lucasfilm is seeking screenwriters for its planned TV series based on George Lucas' Star Wars film saga. Keeping with Lucas' penchant for security, the show will be scripted at the bearded one's secluded Skywalker Ranch. Work will commence this January.
Talk about the best job ever. I wonder if they'll post on Monster... and get 40,000 replies (including mine).

9.08.2005

Anyone for tennis?
Well, I sure as shit wasn't going to stay up to watch it last night, but the Agassi - Blake quarterfinal match from the US Open has already been compared to that of Connors' emotional run back in 1991. I've been getting up at the crack (crack for me = 7 AM) of dawn for work, and I'm planning on heading out to watch the first game of the NFL season, so I wasn't going to even start watching when it came on at 10:30 last night. My instincts served me well, for I not only knew Leia was my sister, but the match lasted until 1:15 AM. Double grande latte, indeed.

Fortunately, thanks to the instant-reply capability of USA network, I was able to catch the last 2/3 of set 5 at the gym today, and I can tell you if the entire match was like that, the hype is on the mark. It was some of the most intense, well-played, back-and-forth, crowd-involved, emotional tennis I've seen since, well, that Connors-Krickstein match they show every year there's a rain delay. Also made for a riveting workout, as I got on the treadmill and was running with the intensity of the match; I kept running into the front, seemingly infused with the energy of the play (in reality it some low-grade speed I got from "Benny"). In any event, as the players finished, both equally spent and yet aware of the moment, they smiled as they met at the net. Blake said to Agassi, "It couldn't have been more fun to lose," and I smiled involuntarily.
More Marvel
Well, Marvel Comics has finally taken the obvious step to ensure the quality and integrity of their characters that are represented on film. In short, adopt a 'do-it-yourself' mentality:
    Marvel has announced they will change their name from Marvel Enterprises to Marvel Entertainment. The plan is for the company to produce films based on its own properties.The company has identified ten characters & groups it will develop as potential feature franchises: Captain America, Avengers, Nick Fury, Black Panther, Ant-Man, Cloak and Dagger, Dr. Strange, Hawkeye, Power Pack, and Shang-Chi
Jaquandor reminded me of this topic, and clearly has only a casual knowledge of what he speaks when he disparages a title he barely read called 'Power Pack', a comic about a group of adolescents with super abilities. I actually have issues #1-20 in the 'archives'. I have read them many times, and contrary to Jacquador's questionable opinion, the first dozen-or-so issues were quite intriguing. I thought they were pretty well written at the time. Perhaps I'll revisit next time I'm up at the 'rents. In any event, of the new titles Marvel has listed as potential movies, that one is far more interesting than some of the others.

The most questionable on the list are Nick Fury and Blank Panther. The latter makes the list look like 'Hey -- let's throw in this guy to get the 'black' crowd.' If you were going to throw someone in, why not the 'Falcon' (or Luke Cage)? Probably because he'll be included in the 'Avengers' franchise, although that logic should be also applied to 'Ant-Man'. In short, both guys have no powers and were among the least remarkable characters I can recall. Even though they have potential, you're going to have to go a long way to making a franchise out of them. Better served as back-up for Captain America, really.

And if you are going to include 'Ant-Man' and 'Blank Panther' (again, hwuh?), where are the other more prominent Avengers like Iron Man or Thor? Well, golly they are in production already. So much so that this whole list smacks of being the last one on the gravy train more than wanting to keep the integrity (of the remaining B-characters who haven't had movies made of them yet). Some would like to see the 'Silver Surfer' but it's tough to visualize that without having a cackle about the rationality of taking a guy on a flying surfboard seriously. My only contribution to the not-already-tagged list would be Captain Mar-Vell, who died a long way back of cancer (after, ya know, saving the universe).

All that tripe said, I would certainly fork over my $10 bucks to go see Captain America (the 1991 farce-of-a-film, which I have seen, is just plain embarrassing), the Avengers, and Cloak and Dagger could have potential. But the one on the list that I would jump to see is Dr. Strange, some of whose comics are amongst my favorites. The character's ability as Sorcerer-Supreme would lend countless possibilities toward films, and if done right and true to the character (one would imagine this was the whole purpose of Marvel wanted to do these films themselves), could be one of the best ever. Just saying.

9.07.2005

Why I Love to Hate Religion
Perhaps the most common reaction I receive when people find out that I have a love/hate relationship with religion is bewilderment, and I can understand this point. To a lot of people I meet, religion is something that either they are a part of (some grudgingly) or that they avoid all costs. For me to read books about religion is analogous to a person who hates spiders doing research about them every now and then. That may not be the best analogy ever devised, but comparing a spider to religion is about as charitable as I can get.

Of course, growing up, my view of God and such was a lot different than it was now. I have no doubts that my upbringing had a lot to do with my distaste for the cloth, but I suffered nothing so melodramatic as abuse or an exorcism growing up. In fact, I always had a kind of weird fascination with it, because of three basic reasons.

First, as a child the answers you get to your questions are circular in logic at best ("Because it says so in the Bible.") and mysterious at all other times ("God works in mysterious ways."). When you're young, it's not very proper to question the authority of parents, teachers, or adults when they give you the run-around(hell, try doing it as an adult). Of course, these non-answer answers (the gifted go on to be politicians) only spurred me to look elsewhere for the 'answers' (such that they are). Of my gifts, I have an inquisitive nature, and an innate need to understand WHY things work if I'm going to have anything to do with them.

A counter-example would be cars. I don't work on cars, I am not fascinated by cars, so I have no care about the difference between a carburetor and a radiator. To many an average American, this is nothing short of incomprehensible. Luckily, I, again, don't care. What I care about is spirituality, the existence of an afterlife, "God's will", etc. Many of these same people who can't understand why I am not changing my own oil will blithely believe whatever they were taught in Sunday school, or accept whatever religion their parents had. For as important question as "do you have a soul", to shrug and tow the line is near blasphemy. And I love to blaspheme.

Second would be the movies. Two of my favorite films of all-time come from the 80's. In fact, from the same year (1981). The first is the rollicking serial-adventure story, Raiders of the Lost Ark, the second, Chariots of Fire. 'Raiders' has more obvious and more action-packed religious themes, with Mr. Jones searching for a relic of Christian myth. (You'd think the Nazi's would have guessed from the thrashing they get from the Hebrew God at the end that killing Jews wouldn't be a good idea, but then I guess no one ever found out about it. Here's a lesson from westerns, Jehovah: always leave one baddie to tell the tale.) 'Chariots' is the true story of two English runners, one Jewish and one Christian, who run for different reasons and different Gods. It is a fascinating and enthralling study of both men and the impact they had on the Olympic games of 1924.

Both films have intense moments of religious awe, some melodramatic, some beyond belief, some that make you wonder. As a 10-year-old filmgoer, already beginning to seriously question what belief or God is, my fires got stoked by some great filmmakers. And really, is it any coincidence that George Lucas had a hand in one? I've always had a fascination with religious-themed movies, and if done reasonably right (e.g., The Prophecy, Constantine come to mind, films that don't just tow the line and are genuinely entertaining), gets me thinking, even if the film's premise is considered to be ridiculous.

Aside, when I finally saw the movie 'The Exorcism', I thought it was pretty good, but I didn't find it remotely scary. Granted I did watch it for the first time when I was 30 (I watched it on my birthday, alone, in a dark house, and it still didn't freak me out.), but I'm notoriously skittish about horror films to this day, so I don't think age has anything to do with it.

For instance, I had nightmares for two nights after seeing 'Scream'. That kind of admission alone might cause some of you to spew green pea soup in digust. And I kind of hope it does, because I have quite a malicious streak. 'Scream' is the type of film that gets under my skin the most easily, because it is based on reality. A crazy guy with a knife is a lot more threatening to me than Christian myth.

Third would be the mystery of nature itself. The feeling one gets (or I get for the purposes of this little treatise) from laying with your back on the grass and staring up at the clouds or the starry sky. Standing on the edge of the ocean on the beach at midnight, looking out at the murky blackness, the water vast and the horizon infinite. Or, it can be as simple as thinking about a person you haven't seen in years, and then suddenly running into them the next day. The feeling of powerlessness before nature, the vastness, the intimate unknown experiences, the unexplainable connection one feels. If I am convinced of anything, it is that there is more out there, and in here, much more, that we have yet to discover. Religion and the history thereof is a roadmap to many peoples' attempts to either find out more, explain, or manipulate people who are scared into doing horrors.

It is because of the last remark that I write this piece today. There was an incident this week at the West Bank, in which Arabs burned Jewish houses following an 'honor killing' (via Wretchard). I had figured from the term 'honor killing' that there was some kind of duel between Jew and Muslim in which someone had to take their own life out of shame, or something like that. The facts are much more shocking:
    A security sources said the rampage was triggered by an incident last week in which a 30-year-old woman was made to drink poison by her relatives because they suspected her of carrying on a romance with a Christian man from the village - thought by scholars to be the city of Ephraim to which Jesus and his disciples went in John chapter 11.

    The woman was quickly buried, but last Tuesday, the Palestinian Authority police exhumed the body for an autopsy angering relatives. So-called Muslim 'honor killings' are common throughout the Middle East but attract only minimal sentences due to their widespread cultural acceptance as an integral part of Islamic 'Sharia' law.
It's a sick twist on 'Romeo and Juliet', and it leaves an indescribable feeling of revulsion in my stomach. To me, a perversion of spirituality, of shocking ignorance and stupidity, and somehow just not quite surprising.

8.04.2005

Season Finale... online
I've touted before that Battlestar Galactica is the best show on TV, and that the finale from the first season was as chock-full of cliffhangers as any I've ever seen. Well, thanks to the incredible power of the internet, you can apparently watch the entire season finale online. I'd recommend a high-speed connection, though. Yes, I'm aware that I am enabling work-slackage. I'm prepared to accept responsibility.

For those of you who have missed the outstanding first season, your wait for the DVD is nearly over. So, buy, rent, borrow after September 20, but don't deny yourself a helluva series.

7.25.2005

C is for Creepy Guy Fawkes mask
V is for Vendetta, the famed graphic series (read: comic books) from acclaimed author Alan Moore. But what is moore (ha) important is that the movie version, starring Hugo Weaving and Natalie Portman, is in production and a pretty cool trailer has been posted on the official site.

Via Cinescape.
Summer evil
In case anyone has been wondering where I've been for the past month, well, I'll tell you right out (unlike J.K. Rowling who likes to avoid such questions for chapters on end). First, I had to study madly (about 80 hours by my watch) and to successfully pass my Project Management Professional (PMP) certification test. The PMP credential enables you to apply for certain jobs, get instant credibility (I would compare it to becoming a Professional Engineer after you graduate.), and, oh yeah, make more money.

My job has afforded me a lot of spare time, and very little inspiration, so I decided to get something out of the time I've put in here and budget available. In order to even take the test you have to document at least 4500 hours of project work over at least 3 years and 60 hours of training. Then, you get the joy of not only memorizing the PMBOK Guide but the study guide in hopes of cramming a huge amount of data into your head for a 4-hour test filled with nothing but complex word problems. Definitely one of the hardest tests I've taken, but I'm glad it's over.

Anyway, after that debacle was past, I decided to take a week off and hit the beach. No internet access down there, and nothing to do but sleep, eat, exercise, hit the beach, eat again, nap, eat, hit the bars, have Togo's pizza, and then sleep. Rinse off in the shower in the morning and repeat for 5 days. That was my week. Very relaxing.

Finally, as most of you know, it was time (July 20) for yet another birthday, this one for 34 years on the planet. Officially in my 'mid-thirties', but feeling good and actually about 10 pounds lighter than last year. Anywho, enough excusing -- just thought I'd give everyone an update of the activities of the past month.
London falling
There certainly has been some disturbing events occuring recently over in the UK. Two bombings on a mass transit system of late, and a massive hunt for the suspects have kept things pretty much on edge. Police presence has naturally been stepped up, and people are preternaturally aware of anyone moving about suspiciously.

Well, last Friday we had our first report of someone gunned down in a police chase. I had heard that police had chased down an unknown suspect and, after he tripped and fell, they shot him while he was on the ground 5-6 times. Now, while this would certainly sound like an example from a totaliaristic state, in light of what is going on there, I can understand their caution. Suicide bombers will have the explosives on them, and could trigger them at any moment. In order to be safe you have to 'take them down' before they can detonate.

Unfortunately, it turned out that the suspect was an innocent man, but apparently one without much hint of common sense:
    Blair said Menezes had emerged from an apartment block in south London that had been under surveillance in connection with Thursday’s attacks, and refused police orders to halt. Menezes had also been wearing an unseasonably heavy coat, further raising police suspicions.
I can understand wearing suspicious clothing, but I can't understand what would possess someone to run from the police during this tension. The first line that leaped to mind was from Top Gun -- it reminds me of the line Goose quotes when envisioning the condolence letters from their deaths in the mock combat, "The Defense Department regrets to inform you that your sons are dead because they were stupid."

6.30.2005

The Pitfalls of Anal Sex
Normally, I'd be writing about something that tickled my fancy in the movie business, or perhaps some kind of eruditic insight into something Jaquandor might have written, but I stumbled upon a great little anecdote that made me laugh today. I highly endorse perusing the story of TuckerMax, Asshole's unfortunate adventure in buttfuckery. An inspired and foreboding post, indeed.

6.23.2005

Missing Childhood
Jaquandor fails to list even three things he misses about his childhood. Although I wasn't 'tagged' to repeat this theme, his notes set me to thinking about just what did I miss about my childhood in Allegany, NY? (Aside to Google: It's St. Bonaventure, not Bobaventure!)

Top of the list may seem quite odd considering the publishing format, but I miss not having the internet and cable TV. That's right, I remember fondly the days when we didn't have the information superhighway and 100 channels at our disposal. This is not to say that I would ever give up my high-speed connection or want to go back to the world of 1982 -- the benefits of the internet are amazing. For instance, I have never ever liked to shop. I went clothes-shopping maybe once a year if I really really needed something. Online shopping is a wonderous gift.

However, cable and the internet can be a time-consuming distraction. A black hole of wasted energy that sucks inspiration and entices slacking. To be honest, I miss having less instant entertainment at the ready. Which bring me to the second thing I miss, compliments of Allegany Central School (which no longer exists, natch), is study halls. I used to have at least 2 a day, sometimes four. No distractions, no talking, no video games, just your books and some paper. I hardly ever brought home work from school thanks to these concentrated time-periods, but that's not really why I miss them. I miss them because they were dedicated time, during the day, that I used to write stories and scripts. The majority of my writing growing up was done during these periods. No distractions. Nowadays, when I get home from working, it's tough to set aside time, especially when my mind is tired. Although I have enough flexibility (and power!) to set aside some time at work, this damn internet gets in the way. If someone shoots an email to me, sometimes it requires immediate responses. I'll get distracted by, heavens, work! Distraction-free time during the day is definitely up there.

I'm only going to name one more, and that's my grandfather's house. That was another great place to play. When I visited the house a few years back for my cousin's wedding, the feelings of nostagia were powerful. His place was way up in the woods, and you could literally get lost in the surrounding forest. We used to spend hours playing up there. One one giant tree we had attached a rope that we used to swing out over a hill and plant cushions from couches in the house to soften the 15 foot drop. Good times.

6.17.2005

Favorite moments... from Clones and Sith
Completing the task I started this week, here are my final two spectacular logs of memorable moments from Star Wars. Enjoy your Father's Day weekend!

Attack of the Clones moments
  • "Well who can blame them. But he is here." I'm just picking one line of the 'interrogation' conversation (Obi-Wan's derisive comment about the Geonosian's distrust of bounty hunters) between the captive Obi-Wan and Count Dooku, but I think the whole scene is masterful from start-to-finish. Entering with feigned bluster, Dooku soon drops the bomb of the truth on Obi-Wan, and like all the Jedi, he refuses to believe it. Using the memory of Qui-Gon, Dooku then asks for Obi-Wan's help in 'destroying the Sith'. Dooku's motives will forever be the stuff of the expanded universe novels (by-the-by, Labyrinth of Evil wonderfully develops the background of both Dooku and Grievous prior to Episode III).
  • "I won't be long." Padme and Anakin's embrace outside the Lar's home is a beautiful shot, and poignant because he's about to taste his first bit of the dark side. I have a picture of the scene on my wall.
  • The look of evil. Shortly thereafter, as Anakin's mother passes away in peace, Anakin feels anything but that. Hayden got his first chance to convey what Vader looks like when he feels rage, and he nails it.
  • "Always a pleasure to meet a Jedi." Another great conversational scene (all the critics of dialogue can eat me, btw), this time not between two Jedi but two men measuring each other up and not giving an inch. Jango's threat to Obi-Wan that his clones will "do their job well. I'll guarantee that" is wonderfully subtle.
  • "I love democracy." McDiarmid delivers this line with such humility as he is being appointed supreme-executive powers by the Senate. The sheer gall of this man to deliver probably the most bold-faced lie in the entire series makes me reflexively snort every time I see it. Probably the same way Palpatine is internalizing his own amusement.
  • "You want to go home and rethink your life." A popular moment for sure, Obi-Wan's casual influence of one of Corsucant's denizens is hilarious. He does it so quickly that you get the sense this is certainly not the first time he's done this. I know he has other things on his mind at the moment, but it's amusing to think that anytime he is confronted with someone he doesn't approve of, he does a mind-trick on them, not out of malice or control, but for his own amusement and maybe to help a bit where he can. A perfect taste of his sense of humor.
  • "If an item does not appear in our records, it does not exist!" Librarian Jocasta Nu's hauty declaration regarding Obi-Wan's search for Kamino is an great representation of how confident, how blind, and how prime the Jedi are ready for a fall.

    Revenge of the Sith moments
  • The Last ReflectionI think you ask your average fan his/her favorite moment, and most of them will include the word 'lightsaber'. On reflection after seeing it a second time, the choice for my favorite moment became clear. The hauntingly brilliant John Williams track ('Padme's Ruminations') compliments the most halting and beautifully restrained scene in the film. Wraught with symbolism, the two lovers, separated by a great distance, contemplate each other and the future in the backdrop of a blood-red sunset. Although I've only seen the film twice, this moment made my eyes well up both times. You know this is the precipice and Anakin is stepping off. An instant classic.
  • "I hear a new apprentice, you have." Right before Yoda conversationally mentions to Sidious that he is aware of his recruit, Yoda casuals flips his hand and the force deals with the Emperor's guards. A moment designed to briefly alleviate the seriousness of the situation, it works every time.
  • "I can overthrow him, and together you and I can rule the galaxy." The whole conversation between Anakin, Padme, and Obi-Wan on Mustafar is wonderful, but this line is the one that resonates to the original trilogy. It answers the question of whether Vader was tempting Luke on Bespin to get him to turn to the dark side, or did he really want his to help him defeat the Emperor. Anakin love and desires have become twisted by the dark side. Twisted, and in his mind, still noble.
  • "Time to abandon ship!" This is a Grievous line he says, almost giddily, after he escapes from the bridge of his own ship. We haven't seen a villain in the series who so clearly relishes his adversarial relationship with the Jedi. I think that most of his lines will work its way into my standard lexicon eventually, but the two that stick in mind right now are from the opening battle. Another, right before he punctures the bridge parasteel glass he taunts, "You lose, General Kenobi!" His unabashedly playful attitude showed through the voice-effects to heighten what could have been just another stock henchman.
  • "Unfortunately, he taught his apprentice everything he knew, then his apprentice killed him in his sleep."Palpatine speaking of his former master, McDiarmid delivers the veiled background as a Sith apprentice with fondness and style, most notably when he remarks with a humored wistfullness of his ruthless nature that he killed his master in his sleep. For all the stigma that Lucas can't write dialogue, this is (again) one of the instances where both brilliant script and performance melded to produce an insightful portrait of a man who is a wretched hive of scum and villainy.
  • "Good, Anakin, good. Kill him. Kill him now." How quickly and unnervingly Palpatine goes from encouraging teacher to casual murderer. So shockingly that even Dooku is speechless at the betrayal; Palpatine nearly smiles at Dooku. Anakin hesitates but the temptation is too strong.
  • "Are you threatening me, Master Jedi?"The effect is chilling when Palpatine suddenly drops all pretense of civility and humility when confronted by the Jedi in his chambers. When he reveals his deadly skills by cutting through three of them in seconds, it is positively scary. I remember watching the trailer over and over for that moment when he leaps over his desk and crouches, animal-like, taking both us and the Jedi aback. It is the very definition of a 'money shot'.
  • 6.15.2005

    Favorite moments... from Jedi and Menace
    To make amends for missing a blog yesterday, and in keeping with my prediction, I present a two-for-one extravaganza of opinions!

    Return of the Jedi moments
  • The Return of the Jedi. That moment when Luke catches his new lightsaber on the barge and watches the green blade ignite. I get tingles. One of my favorite scenes from Jedi, and supported by a thrilling Williams track (a staple of my iPod). Watching Luke finally show his Jedi licks still gives me goose bumps. Luke's confrontation with Boba Fett was the cherry on the scene (I'm certain that just about every Empire fan sat up straight in their chairs when he flew down to Luke's skipper), and we got our first shot of a Jedi blocking blaster bolts. Good stuff.
  • "My favorite kind of scum: fearless and inventive." Leia's ruse as a bounty hunter creates a great tense moment when she pulls out a thermal detonator in Jabba's court. Jabba, amused, merely continues negotiating the contract on Chewbacca.
  • "Well, how could they be jamming us if they don't know... if we're coming." Lando's split-second realization that the Empire is about to spring their trap sets up the thundering horns of both Williams' accompaniment and the hundreds of TIE fighters plowing into the fighter group. The shit is on.
  • "You want this... don't you?" After goading Luke with news of his friends' plight, the Emperor casually fingers the lightsaber on his chair's arm and asks him what he already knows. McDiarmid delivers the line with such delicacy, and then slowly turns up the intensity when goading him strike him down. Only slightly overshadowed is a favorite line later on, "Now witness the firepower of this fully armed and operational battle station!" That one ups the ante on the conflict considerably.
  • "You already have, Luke. You were right about me. Tell your sister...you were right." I can't resist putting in the last words of Anakin Skywalker. Still a touching scene to this day, as we hear the faint strains of the Imperial march die with him.
  • "That name no longer has any meaning for me." Vader responds in passionate denial, the first time we have really seen any kind of human doubt or feeling in the man in black. It was as jarring to me then as it was at the end of Sith when he asks for Padme. Luke pleads with him that it is the "name of his true self" and he's only forgotten. For just a moment, when Luke turns away, Vader is speechless, contemplating his words. Perhaps the very first time, he's wondering if maybe he can break free, make amends. Good drama.

    The Phantom Menace moments
  • Obi-Wan's anxiousness before Maul. After his mentor has been cut down by the horned Sith, Obi-Wan snarls with obvious anger. But the key for me is right before the energy barrier opens up: Obi-Wan hops with adrenaline-pumped readiness, like a prize-fighter itching to get it on. That little maneuver always inflects me with similar angst. The shit is about to hit the fan, and when Obi-Wan charges in, I'm on the edge of my seat.
  • "What's that got to do with anything?" When the Jedi council notes to young Anakin's that his thoughts dwell on his mother, we get our first taste of the rebellious, headstrong nature of the Chosen One. His tone is almost condescending to the council, an attitude which we see develop in later movies. It's a moment that the Jedi correctly foreshadow leading to trouble.
  • "You overdid it." A very subtle line, easily missed, regarding Qui-Gon's force-aided attempt to calm Jar Jar when they are traveling through the planet core. Qui-Gon reaches forward, touches Jar Jar's shoulder and says 'relax'; the Gungan promptly faints and Obi-Wan comments on his master's lack of touch. I get a kick out of that line.
  • "Master--destroyers!" The entire opening scene of Qui-Gon and Obi-Wan slicing through droids is a thrilling way to start a series, but the first appearance of the 'Droidekas' is what gives it edge. Unfolding, shields up, and blasting away with twin cannons, these droids give the heretofore unstoppable Jedi pause.
  • "We'll handle this." When the Theed hanger doors open to reveal a hooded figure in black, the audience reacts just as the Naboo do (Naboo do? Like Voodoo?) -- whoa! Qui-Gon says the line and no one is going to argue. Rightly shown in just about every trailer. But, really, my favorite part (before they get it on) is the artful martial-arts twist Maul does with his twin-bladed lightsaber before turning it on.
  • "Are you an angel?" The first thing that Anakin says to Padme is cute, revealing, and ironic because it will be his 'angel' that leads him to his own personal hell. Perfect choice of words.
  • "He is mired down by... baseless accusations of corruption..." In Senator Palpatine's first in-person conversation with the Queen, he uses truth, lies, and false dilemma to direct her where he wants to go. Wonderfully acted by McDiarmid, the first impression is everything we expect from the only true villain of the series: slippery, deceptive, and subtle.