Showing posts with label Academy Awards. Show all posts
Showing posts with label Academy Awards. Show all posts

3.14.2010

The Hurt Locker


The Hurt Locker has a pulse-pounding intensity and a refreshing lack of agenda which serves to distill any political thoughts you may have brought with you about the Iraqi war and let you immerse in the lives of a bomb-squad team in 2004. The unseen villains of the piece are the diabolical bomb-makers, who come up with escalating and horrific scenarios in which to use IED (Improvised Explosive Devices) to destroy the American “invaders”.

Against them is the rebellious anti-hero of the story, Sgt. James(played by Jeremy Renner), who often disregards procedural safety protocols because he (rightly) believes it won’t save him should any of the devices blow up while he’s trying to defuse them. He comes to the team after the first commander is pulped by an IED that is remotely detonated while his is trying to diffuse it – we see that his regard for safety armor doesn’t save him in the end, even when he still manages to run 100 feet away before the device explodes.

His new team, played by Anthony Mackie (you may recognize him from 8 Mile) and Brian Geraghty, are thrown and disturbed by Sgt. James’ antics and attitude, and also perceive that he is good at his job because he gets off on it. Indeed, his wife and child bear the brunt of his feeding, as he returns again and again for more tours for the rush. He is exceptional at facing death, and reluctantly embraces the talent.

The film has many stark images that have stuck with me in the weeks since I’ve seen it. The sniper battle, the discovery of the child-corpse-bomb, the diffusing of a car-load of bombs, the face-to-face mirthlessly funny encounter between James and a man who rushes to remotely detonate the bombs underneath him, the tense off-duty moments which are every bit as threatening as the ones in the field. The film is a threaded series of moments that results in a movie deserving of the lauding it has received.

1.22.2009

F**K YOU ACADEMY AWARDS

Classy title, eh? Well, no more classy than the announced Academy Nominations today, which snubbed the Dark Knight for both Best Picture and Best Director. Had Heath Ledger not died tragically, they might not have been afforded an easy out by nominating his stunning performance as a conciliatory gesture to the best movie of the year, hands-down.Now, I haven't seen every since film that has come out, but I've certainly seen my share of the 2008 crowd. But who has? Film critics, generally speaking. So, let's just take a peek at the five nominations put against our boy Batman with the ratings from Rotten Tomatoes:

The Reader: 60%
Frost/Nixon: 91%
The Curious Case of Benjamin Button: 72%
Slumdog Millionaire: 95%
Milk: 91%

and

The Dark Knight: 94% of 263 reviewsNow I know that "Best Picture" is not technically a popularity contest (don't tell that to Titanic), but doesn't it at least merit some consideration. I mean, if 4 out of every 10 critics didn't even like the film (yes, I'm looking at you, The Reader), how can it be considered in this category?I shouldn't be unfair, because The Reader is the only film I haven't seen yet on this list. (I promise that once I see it, I'll do an update.) However, I can be ruthlessly unfair to the others that I have seen. Both Frost/Nixon and Milk were good, serviceable, above par films. I don't think they don't deserve a nomination, but not at the expense of a superior film.The Curious Case of Benjamin Button is another case entirely. Clearly not a critical darling, I felt the film was very good, but I thought its nominations would be only in visual effects/makeup and maybe Brad would get a nod for Best Actor (he did). This isn't even close to Fincher's best film (Fight Club, duh), but I don't have any problem with the nomination. Unless of course you are comparing it to...Lastly, super-darling Slumdog Millionaire, which I really liked, and its spot is well-deserved. Probably the strongest of all the films on the list. Well acted, well directed, good story, emotionally moving. I highly recommend it.But keeping with the theme of being classy, Slumdog doesn't even deserve to shovel The Dark Knight's shit. For me, it was a stunningly directed film, a masterpiece screenplay, perfect-pitch performances, amazing action theatre, shocking and moving drama, and emotionally draining. In short, I was blown away. Blown away.

And it doesn't even rate as a nominee.

{Repeat blog entry title.}